Over the past month, three noteworthy events have presented as provocative grist to the groaning mill of Indigenous-“settler” relations.
First, acclaimed Cree playwright/novelist Tomson Highway’s memoir , Permanent Astonishment, was published by Penguin-Random House. Highway’s experiences at a residential school did not embitter him. On the contrary, he credited that nine-year stint for the foundational skills that led to creative self-realization. But saying so publicly, once permissible, has become a form of blasphemy in the chattering classes.
