From Hollywood’s first rupture with American audiences in the early 2000s, it didn’t take long for identity politics to destroy the industry.
I’ve been writing for years about the steep decline of cinema — in fact all art and media — this century. My very first article for this fine publication (fortunately for my integrity, a true statement rather than a transparent bid for a raise) a shocking six years ago explored how even a moderately good action picture like 2008’s Taken was beyond the capability or intent of 2018 Hollywood. Because the idea of a loving tough-guy dad rescuing his helpless teen daughter with manly “certain skills” while his gorgeous ex-wife frets realistically became anathema soon afterward. Hollywood had not yet fully mutated into Hollywoke, but it devolved fast.
