Modern Brussels narrates the tragedy of a continent in terminal decline. Once a monument to European civilization—listing such landmarks as the medieval Grand-Place, the Cathedral of St. Michael and St. Gudula, the neoclassical Palais de Justice—it has been transmogrified into a laboratory of “super-diversity,” a doomsday phenomenon whose presiding ideology is this: abolition of the Christian nation-state. Hosting representatives of 184 nationalities, the city does not merely reflect globalization; it weaponizes it.
Dystopian Prelude In Brussels
Super-diversity, EU arrogance, and the cultural suicide of post-Christian Europe.
