The news that Disney is making additional sequels to Frozen, Toy Story, and Zootopia put me back in mind of Frozen II, which I saw in the theater when it came out in late 2019. Its plot perfectly captured the trouble with woke virtue-signaling. It is, in fact, a fascinating document not only of the woke impulse at work in the world of Disney, but also of how trying give an audience of young, female humans what they want collides with that impulse.
