A major Metropolitan Museum of Art exhibit rejects beauty and cultivates racial resentment
The Metropolitan Museum of Art has mounted an exhibit whose curatorial philosophy, were it widely adopted, would spell the end of art and of art museums. The art press greeted the show ecstatically, as a sign of the Met’s new direction. This prognosis is undoubtedly correct.
Fictions of Emancipation (on view through March 5, 2023) is built around an 1873 sculpture by the brilliant French sculptor Jean-Baptiste Carpeaux. The marble bust, titled Why Born Enslaved!, portrays a black woman, bound by a rope, looking over her left shoulder with a piercing expression of defiance, incredulity, and contempt.
