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The Censorship Bureaucracy

In a recurring sketch from a popular early 2000s U.K. comedy show called Little Britain, a bank clerk listens to customers’ queries, randomly types on a keyboard, and then deadpans the catchphrase: “computer says no.” Whatever the follow-up questions, no matter how angry or upset customers become, the response remains the same: “computer says no.” This skit lives on in Britons’ collective psyche mainly because it is funny, but also because it points to a familiar sentiment: the frustration of finding oneself stonewalled by an intransigent bureaucracy.

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