Never mind the masterful storytelling and thrill of a well-done plot like Richard Connell’s The Most Dangerous Game, because Hollywood isn’t interested in quality; instead, studio executives prefer to push out the Democrat left’s narrative of a white-on-black “racism” dystopia, which is why their new movie labeling white people the “most dangerous animal[s]” flopped at the box office, barely breaking the $1 million mark despite showing in more than 1,100 theaters across the nation.
