Replacing the three musketeers with African immigrant women did not convince French cinema audiences.
Progressive culture is woefully lacking in imagination. When it comes to making people dream and telling stories, nothing beats recycling the great classics. This is the spirit in which Toutes pour une (All for one, in the feminine), a remake of Alexandre Dumas’ masterpiece The Three Musketeers, was shot. Dumas may recently have been transformed into a precursor of wokeism, but he remains a little too patriarchal: his works contain men, far too many men.
