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Variety Is Now Actively Rooting for the End of Hollywood

The magazine’s editor hasn’t caught on that America is done with Hollywoke.

One of the recurring features of the Mike Holman novels I’ve been writing over the past couple of years is the regularity of their content coming to pass in real life, and the latest, Blockbusters, which is available here at The American Spectator in serialized form, is no different.

Blockbusters essentially games out a scenario in which a large amount of capital is applied toward the idea that control of entertainment media transforms the film and TV industry into something very different and far more successful. It’s sort of a Get Shorty-meets-Wall Street-meets-Secret Of My Success.

It’s a lot of fun.

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