The only female talent scout at a big-name record label in the late 1980s believes prosecutors will soon find out who was covering up the hip-hop mogul’s alleged sex trafficking
When Dorothy Carvello read the criminal indictment against Sean “Diddy” Combs, it didn’t come as much of a surprise.
As the only female talent scout at a big-name record label in the late 1980s — a workplace she describes as a “circus mixed with an orgy” — she was employed by some of the executives who went on to propel the hip-hop artist turned producer to global stardom.
When I was a self-dramatising adolescent, I would consider suicide roughly once every six weeks, trying it on for size in the manner of pulling on a pair of mock snakeskin platform boots from Dolcis, before deciding that it wasn’t really me. Invariably, the decider (apart from not knowing whether T Rex would beat David Bowie to the top of the Radio 1 singles chart on Tuesday) would be the flying cars, the invention of which I excitedly imagined was just around the corner. I’ve got to stick around to see the 
