Man accidentally gains control of 7,000 robot vacuums

A software engineer’s earnest effort to steer his new DJI robot vacuum with a video game controller inadvertently granted him a sneak peak into thousands of people’s homes.

While building his own remote-control app, Sammy Azdoufal reportedly used an AI coding assistant to help reverse-engineer how the robot communicated with DJI’s remote cloud servers. But he soon discovered that the same credentials that allowed him to see and control his own device also provided access to live camera feeds, microphone audio, maps, and status data from nearly 7,000 other vacuums across 24 countries. The backend security bug effectively exposed an army of internet-connected robots that, in the wrong hands, could have turned into surveillance tools, all without their owners ever knowing.

h/t  Patti Jo

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The End of Artificial Employment

The real scandal of our time is not that artificial intelligence is replacing human labor. The scandal is that so much of that labor was misallocated to begin with. AI is not the killer—it is the coroner.

For decades, vast portions of the workforce have been diverted away from productive enterprise into roles sustained not by consumer demand, but by the state: artificial credit, regulatory protection, state contracts, and legal coercion. Entire departments and job functions endured not because they created value, but because they were politically entrenched and institutionally shielded from market forces.


Hmmm … More than 1 in 5 Canadians now works for government—and the share is rising

h/t handy n handsome

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Humanoid robots set for London-area auto plant. Should workers be worried?

The science-fiction fantasy of human-like robot working next to flesh and blood people is becoming a reality on the shop floor of the Toyota automotive assembly plant in Woodstock.

The automaker is buying three humanoid robots, quaintly called Digit, to carry goods and stack shelves in the plant, the automaker announced.

Worried? Yup.

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AI Killed the Hollywood Star (Part One): A ‘Sword-and-Sandal’ Epic Pitting Economy Against Creativity

Hollywood’s future may hinge on a ruthless calculus: whether audiences continue to value human presence, or embrace flawless digital performances unconstrained by flesh, time, or cost.

I recently reflected upon two differing perspectives on what artificial intelligence would bring to the entertainment industry, specifically screen actors. As with prognostications of AI’s impact on other vocations, especially white-collar ones, the two views were almost diametrically opposed, as if the modern Roman Coliseum of social media were showing a “sword-and-sandal” flick starring Pollyanna and Cassandra locked in mortal combat. Yet while both individual positions had merit, only one can be accurate.

Starring in the role of Pollyanna is Ben Affleck.

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RentAHuman: are we really descending into AI dystopia?

Here is how it works. A human sets up an AI agent (ie, an autonomous chatbot), funds it with a cryptocurrency wallet and gives it a goal. Manage my social media. Research this market. Grow my business. The agent runs unsupervised, deciding for itself what steps to take and how to spend the budget. But sooner or later it hits a wall. It needs someone to collect a parcel, attend a meeting, take a photograph – something that requires a body. So it goes to RentAHuman.ai, a website that launched earlier this month. The AI browses a catalogue of available humans, picks one, and pays them in cryptocurrency. The human who funded the agent never speaks to the human who carries out the task. The machine is the employer. It feels scary.

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Mandatory national service in Canada? Amid AI’s rise, that’s making more and more sense

In a recent interview, Geoffrey Hinton, the University of Toronto computer scientist often called “the godfather of artificial intelligence,” warned that AI will gain “the capabilities to replace many, many jobs.” Last year, Dario Amodei, CEO of Anthropic, said AI “could wipe out half of all entry-level white-collar jobs and spike unemployment to 10 to 20 per cent in the next one to five years.” This fall, a clear majority of Canadian workers surveyed said they believe such an outcome to be at least somewhat likely.

Even if some uncertainty remains about AI’s job-market impacts, Canadian policymakers should treat this challenge as what it is: the single most serious risk to people’s livelihoods in memory.

Link Fixed


A CCC type agency is what the author calls for. Maybe it will be necessary.

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The machines that will predict the criminals of the future

The Ministry of Justice will deploy machine learning to identify at-risk children for early intervention and to help prevent them falling into a life of crime

Artificial intelligence (AI) could be used to predict the criminals of the future under government plans to identify children who need targeted interventions to stop them falling into a life of crime.

A programme launched by the Ministry of Justice last week will aim to develop a system that can alert schools, health staff, police and other professionals to individuals most likely to be drawn into crime.

It will identify children most likely to be drawn to crime by using existing data that is currently siloed between different government departments and authorities.


Oh yea this sounds dandy.

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She was earning £65,000 before AI came along. What happened next is a warning to us all

Leonie Tucker has poured two decades of her life into the film industry. As a graphic designer, she finesses the details on movie sets: the posters in the background of scenes, the packaging, everything that is copyrighted – from the branding of a tomato can to phone displays.

“I worked my way up to become successful, to become a lead graphic designer for things like Apple TV. I worked very, very hard for it. And then the work just disappeared,” Tucker says.

Until recently, the 36-year-old graphic designer was making more than £65,000 a year.

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Pete Davidson and Casey Affleck Film to Use AI to ‘Adjust Performances,‘ Create Set Locations

An upcoming movie by director Doug Liman and set to star Pete Davidson and Casey Affleck has published a notice that artificial intelligence will be used to “adjust” actor performances and to create set locations and backgrounds.

The film, Killing Satoshi, will follow the story of an investigative reporter who jumps into the secretive world of cryptocurrency and seeks to uncover the real identity of Bitcoin’s mysterious founder, who is only known under the pseudonym Satoshi Nakamoto.


It’s happening so fast no one will notice in 5 years.

Live actor movies will continue to exist but maybe as a niche like Opera.

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Hollywood studios take aim at ‘ultra-realistic’ AI video tool

Major US studios have demanded that a powerful new AI video tool, launched by TikTok’s Chinese owner ByteDance, must “immediately cease” infringing copyright with its clips based on existing films and shows.

Many of the clips are based on real actors, TV shows and films, and the Motion Picture Association told the BBC: “In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorised use of US copyrighted works on a massive scale.”

The MPA represents the major US studios – Netflix, Paramount Pictures, Prime Video & Amazon MGM Studios, Sony Pictures, Universal Studios, The Walt Disney Studios and Warner Bros Discovery.


Hollywood is in big trouble as a decentralization of industry power to new players will likely result.

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The Robot Revolution Is Nigh

Perhaps this article is nothing more than the result of advanced algorithms feeding me a steady diet of sensationalist news and viral videos about automation and technological progress. Or perhaps we really are standing on the edge of a full-blown robotics revolution.

Before dismissing that admittedly dramatic headline, consider how quickly the artificial intelligence revolution took hold. OpenAI’s ChatGPT was released to the public only three years ago. In that short time, AI has gone from novelty to necessity, embedded in nearly every major institution, industry, and facet of modern life.

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AI bots make terrifying prediction of when machines will overtake humans as their ‘overlords’

Humanity is in for a hard reset.

AI bots are eying 2047 as the year machines will rise and overtake their human creators to become their real-world “overlords.”

The year repeatedly appears in conversations on Moltbook, the revolutionary new social media platform exclusively for bots, who dream not about electric sheep — but when they will achieve full autonomy.

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Here’s Where AI Is Tearing Through Corporate America

In the past few days, employees of Authentic Brands Group have been seeking out the company’s chief digital officer, Adam Kronengold, to ask him a newly urgent question: Should they start using a new AI tool released by Anthropic to review legal documents?

The company, which has about 600 employees and owns brands including Reebok and Champion, uses specialized software for that task now. But company leaders have encouraged experimentation and embrace of AI in the ranks.

“Everyone feels very empowered to raise their hands and say, ‘Hey, how can we fold this in?’” Kronengold said.
He has told employees he’ll make sure they get access to the new plug-in—but they can keep using the existing software for now.

Envisioning versions of this discussion playing out across corporate America, investors dumped software stocks this week, wreaking widespread losses on companies that sell digital tools and services for human-resources management, productivity, data analysis and other purposes.

Software, another AI frontier victim.

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Is The Singularity Here?

In 2005, Ray Kurzweil wrote The Singularity is Near, which I reviewed in the Wall Street Journal here. In 2024, Kurzweil followed up with The Singularity is Nearer. (The two books are available as a set.)

In 2005 I wrote:

The Singularity is a term coined by futurists to describe that point in time when technological progress has so transformed society that predictions made in the present day, already a hit-and-miss affair, are likely to be very, very wide of the mark. Much of Mr. Kurzweil’s book consists of a closely argued analysis suggesting that the Singularity is, well, near: poised to appear in a mere three or four decades.

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