The Real Controversy of ‘Superman’ Is a CGI Dog

Kelly Woods can’t stand Superman’s canine sidekick, Krypto. The 58-year-old retired truck driver grew up watching the Superman cartoons in the 1970s.

“When Krypto first came into the cartoons, it ruined it for me,” said Woods. He felt the creators were trying too hard to add unnecessary characters.

His 26-year-old daughter, Jackie, brought Woods along to see the new “Superman” movie a few weeks ago. She figured the unruly dog would make only a couple of appearances, maybe toward the end.

But within the first few minutes, Krypto was zooming through a snowy plain.


The use of CGI is awkwardly reminiscent of the backlash “Talkies” faced when their arrival ended the Silent era.

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Turner Classic Movies: Pro-Communist, Anti-American

We now have conclusive proof that Stalin and his communist dupes were subverting Hollywood. But you wouldn’t know it watching TCM.

Turner Classic Movies (TCM) on cable tv is the film-lover’s dream come true. It possesses a huge library of films from Hollywood’s Golden Age of the 30s to the 50s, newer films, and silents. They are presented with no commercials in their full, unedited versions. TCM hosts worthy series co-hosted by specialists, on topics such as African Americans in film.

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Pedro Pascal and The Precariousness of Woke Celebs

It’s easy to see why Pedro Pascal was crowned as the internet’s new “unproblematic fave.” He is, as you would expect for a Hollywood actor, decently good-looking. He’s been in Game of Thrones, took the lead in Star Wars spin-off Mandalorian, featured in the TV adaptation of The Last of Us, and more recently had a starring role in the latest installment of Marvel’s Fantastic Four. Equally as important for a celebrity nowadays, Pascal has some impeccably woke credentials. He is an advocate of ‘trans rights.’ He’s vocally anti-Trump. He makes all the right noises about Palestine. He embraces a nauseating brand of “non-toxic masculinity,” whereby he talks at length about his men’s mental health—specifically, his anxiety, which he copes with by… getting uncomfortably cosy with his pregnant, taken co-star?

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Superman Captures the Fall of 20th-Century Liberalism

The 2025 iteration of Superman is worth a watch if the subject matter at all catches one’s eye. Eschewing a decade of attempts to twist the character into darkness, this reboot embraces the morality at the soul of an American icon.

Gone are the attempts at a moral middle ground or a blurring of the story in an attempt to subvert tropes. The film’s heroes are unquestionably morally good. Its villains are unquestionably depraved. In short, it represents a cinematic return to normalcy.

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Nolte: Netflix, Disney Openly Embrace AI for Content Production

Netflix chief Ted Sarandos is making no secret of the fact his company is eager to use AI in “content production” because it’s faster and less expensive.

“Netflix Inc. has begun using artificial intelligence video generation software from startup Runway AI, testing the waters with a technology that’s controversial in Hollywood,” reports the far-left Bloomberg. “Sarandos said the company is using AI in content production. That includes creating special effects shots more quickly and cheaply than it previously had been able to with traditional visual effects tools and processes.”

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Netflix CEO Says Artificial Intelligence will Make Movies and TV ‘Better, Not Just Cheaper‘

Streaming giant Netflix’s co-CEO Ted Sarandos says artificial intelligence (AI) will have a huge and largely positive impact on the film and TV industries in the near future.

Sarandos feels that AI will make it cheaper to produce our entertainment, but he also thinks it has the potential of making it better.

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De-aged stars, cloned voices, resuscitated dead icons: AI is changing the art and business of acting

For filmmaker Scott Mann, three dozen F-bombs had the makings of a million-dollar headache.

When Mann wrapped “Fall,” a 2022 thriller about two women stranded atop a 2,000-foot radio tower, he figured the hard part was over. Shot in the Mojave Desert on a $3-million budget, the film didn’t have money to burn and seemed on course. But Lionsgate wanted a PG-13 rating and, with 35 expletives, “Fall” was headed for an R. Reshoots would cost more than $1 million — far beyond what the production could afford.

In the past, a director might have taken out a second mortgage or thrown themselves at the mercy of the ratings board. Mann instead turned to AI.

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Colbert and the end of American humor

As Rodney Dangerfield might have said, Stephen Colbert got no respect.

Let me say this upfront, America stopped being funny when Johnny Carson went off the air May 22, 1992.

That’s 33 years of humorlessness. Yes, I exaggerate, to make a point, only I don’t remember what it is.

New York used to be the funniest town in the world, back when Catskill Jews ran the culture, but today, instead of Jackie Mason or Don Rickles, we’ve got Zohran Mamdani.

Did I spell it right?

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A Grateful Nation Thanks You President Trump!

Ellen DeGeneres: I moved to the UK because of Trump

US TV star Ellen DeGeneres has made her first public appearance since moving to the UK, saying she decided to settle in England the day after Donald Trump was re-elected US president.

The comedian and host told a crowd in Cheltenham, Gloucestershire, that life “is just better” in the UK.

Ellen said she and wife Portia de Rossi were considering getting married again in England after some moves in the US to reverse the right to gay marriage, and that America can still be “scary for people to be who they are”.

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Colbert Cancellation Exposes the Perilous State of Late-Night TV

CBS’s decision to end its long-running ‘Late Show’ franchise touched off a firestorm—and is a grim sign for a challenged television format

“The Late Show with Stephen Colbert” was profitable as recently as a few years ago.

Now, it loses about $40 million a year, according to a person familiar with its budget. On Thursday, CBS pulled the plug on the show and an entire franchise launched in 1993, making it the biggest casualty yet among late-night talk shows contending with cord-cutting, changing tastes among younger viewers and declining ad revenue.

The budget for the show, filmed in New York City’s Ed Sullivan Theater, includes a live band, a staff the host said numbered 200 people, and an annual salary of $20 million for Colbert, according to a person familiar with the show’s operations.

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Hollywood’s Inability To Create Masculine Stars Is Officially A Problem

Ezra Miller – Normal for Hollywood

Two of the biggest movies this summer are Mission Impossible: The Final Reckoning and F1, starring Tom Cruise and Brad Pitt, respectively. The two movies have something interesting in common — both are star vehicles for men in their sixties. Brad Pitt will be 62 later this year, and Tom Cruise just turned 63 last week.

Pitt and Cruise aren’t exceptions, either. The biggest male movie stars are all aging. Clooney is 64 and McConaughey is 55. Ben Affleck, also out with a big action film this year, is 53 next month, and his buddy Matt Damon turns 55 later this year.

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Why the Diddy trial failed

Rapper and music producer Sean ‘Diddy’ Combs has been a New York City tabloid sensation for my entire adult life. His ‘King of the Players’ reputation was burnished by his public exploits, such as turning up at the 2000 Grammy Awards with then girlfriend J-Lo in a plunging green Versace dress, his involvement in a shooting at a Manhattan nightclub and pictures of his butler walking behind him carrying a parasol to shield him from the St Tropez sun. At no point have I ever thought, ‘He seems like a nice guy’.

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Report: 99 Percent of Late-Night TV Show Guests Have Been Liberal So Far This Year

A look at the list of guests for the various late-night TV comedy shows finds that 99 percent of them have been liberals and only one was center right.

According to a review of all the guests on the five major late-night shows, there was nearly no inclusion of center right guests. The survey was compiled by the Media Research Center and followed the guests on ABC’s Jimmy Kimmel Live!, NBC’s Late Night with Seth Meyers and The Tonight Show Starring Jimmy Fallon, CBS’s The Late Show with Stephen Colbert, and Comedy Central’s The Daily Show.

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