He has turned antisemitism into entertainment
Roger Waters presents Corbynism the Musical, and, unlike its source material, it is still going. On the 81st night of his tour, This is Not a Drill, there are two demonstrations outside the O2 arena. The first is to Free Julian Assange. A small group holds a cardboard cut-out of Assange (the real Assange is in Belmarsh), here to thank Rogers for his support. The second waves Israeli flags and shouts, “Roger’s a Racist!” and it is better attended, mostly by hecklers. And why not? It has more drama: as Rogers will say later, “It’s theatre, darling!”
