
Is there any low where Hollywood won’t really go?
They’re now exploiting 16-year-old Claudia Conway, daughter of Kellyanne Conway and George Conway, for television ratings and big bucks.

Is there any low where Hollywood won’t really go?
They’re now exploiting 16-year-old Claudia Conway, daughter of Kellyanne Conway and George Conway, for television ratings and big bucks.
For years whenever China told Hollywood to jump, the industry had but one answer … how high?
Studios drooled over China’s vast theatrical marketplace, with millions of movie goers eager to watch American popcorn franchises like “Fast & Furious.” And they did just that while filmmakers followed the country’s strict rules at every step.

Hollywood celebrities flew into a paroxysm of rage on Saturday after the Senate acquitted former president Donald Trump of inciting the Capitol Hill riots of January 6. Left-wing stars lashed out at the 43 Republicans who voted to acquit, calling them “traitors” and “fascists.”
How do they forget they work in an industry that kowtow’s to Communist China?

The post that generated the most controversy was a screenshot of another person’s post that she then posted onto her own Instagram account. The post compared the current politically divisive culture in the U.S. to Nazi Germany. The screenshot stated:
Jews were beaten in the streets, not by Nazi soldiers but by their neighbors…even by children.
“Because history is edited, most people today don’t realize that to get to the point where Nazi soldiers could easily round up thousands of Jews, the government first made their own neighbors hate them simply for being Jews. How is that any different from hating someone for their political views?”
“…This is the same celebrity class that weighs in on, well, everything — immigration, voting rights, diversity, gun laws, Black Lives Matter. You name the issue, and stars have plenty to say about it. Heck, they can’t stop talking … except when the subject turns to free speech, apparently.
How ironic, since it’s the one issue they’re the most qualified to explore.”

Actor Ben Affleck once explained why he found it difficult to watch Republican actors on screen. “It’s … hard,” explained Affleck, “to get people to suspend disbelief. … When I watch a guy I know is a big Republican, part of me thinks, I probably wouldn’t like this person if I met him, or we would have different opinions. That (expletive) fogs the mind when you should be paying attention and be swept into the illusion.”
Hollywood will fragment. First slowly then all at once.

“I had a dream Trump was on trial for sedition. And outside the courthouse, a noose was hung from a makeshift scaffold. The noose was made of recycled Covid masks.”

Yeah, this isn’t creepy or dystopian at all. It’s just certified weirdo Tom Cruise purchasing robots to patrol his movie sets checking for Covid violations.

Big Tech’s rush to take down and ban social media accounts or de-platform entire websites that they believe in some way caused the horrible rioting at the Capitol is based on fear — that Joe Biden’s inauguration will devolve into another riot. Or that there will be riots at state capitols.
Social media platforms such as Twitter are only focused on President Donald Trump and his millions of devoted fans. They don’t seem to focus on violent thoughts on the left, most prominently the Hollywood left. Apparently, their violent thoughts are never plausibly dangerous; no one could ever be incited by them.

Left-wing Hollywood celebrities are expressing their collective love of Big Brother after Twitter announced that it has permanently banned President Donald Trump.
Only beggarly “male feminists” and posturing macho women survive — barely.
Sherlock Holmes may have deduced where we would be a hundred years later:
“There’s an east wind coming, Watson.”
“I think not, Holmes. It is very warm.”
“Good old Watson. You’re the one fixed point in a changing age. There’s an east wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it’s God’s own wind nonetheless, and a cleaner, better, stronger land will lie in the sunshine when the storm has cleared.”
Each day, thousands would also flock to famous museums along the boulevard, including Ripley’s Believe It Or Not Odditorium.
Meanwhile, Grauman’s Chinese Theater – which has frequently hosted glamorous film premieres and the Academy Awards – was also one of the most popular destinations along the boulevard.
But the area has been abandoned in the past 10 months, with souvenir stores shuttered and rates of homelessness and crime surging as tourists stay away and the coronavirus rages.

It’s the single question that haunts all Americans as they turn the page on a dreadful year: Why is “Wonder Woman 1984” so bad?
Why did this eagerly anticipated follow-up to the delightful 1917-set “Wonder Woman” — starring the same stunning Gal Gadot and directed by the same Patty Jenkins and released for our homebound viewing on HBO Max as a Christmas Day gift to its subscribers — have to stink up the joint like no comic-book movie has since “Howard the Duck” in 1986?

The sequel to 2017’s Wonder Woman has failed to get box office tills ringing, making just $38.5m (£29.1m) in the 39 countries where it opened last week.
Around half that tally came from China, where Wonder Woman 1984 made $18.8m (£14.2m) in its opening weekend.
That sum was less than half the amount its predecessor made in China when it opened three years ago.
In October, for the first time, China overtook North America as the world’s largest film market. “Movie ticket sales in China for 2020 climbed to $1.988 billion on Sunday, surpassing North America’s total of $1.937 billion, according to data from Artisan Gateway. The gap is expected to widen considerably by year’s end,” wrote The Hollywood Reporter on October 18. “Analysts have long predicted that the world’s most populous country would one day top the global charts. But the results still represent a historic sea change”.